My practice begins with observation and grounding, standing upon, touching, and recording the surfaces of the earth. I photograph, draw, and trace what lies beneath my feet: worn concrete, weathered stone, soil, and tide-washed rock. These surfaces hold traces of time and human presence, maps of contact and erosion. In the studio, I translate these observations into prints, refining textures into black-and-white compositions that reveal organic patterns of decay and growth. These become templates for layered print and paint processes. Working across varied surfaces, I build gradually, layer upon layer of pigment, ink, and varnish. Layers interact, revealing and concealing to create shifting depths. The circular form evokes planetary imagery, earth and cell, surface and atmosphere, suggesting imagined topographies shaped by movement and weather. My process is cyclical, mirroring natural systems of erosion and renewal, a meditation on connection between place and planet, touch and trace.